Precision and depth for dynamic soundscapes
Producer and mix engineer Chuck Ainlay dives into his workflow using native Dolby Atmos rendering in Nuendo and shares his approach to mixing Lyle Lovett’s album 12th of June, and more, in Dolby Atmos.
Precision and depth for dynamic soundscapes
Producer and mix engineer Chuck Ainlay dives into his workflow using native Dolby Atmos rendering in Nuendo and shares his approach to mixing Lyle Lovett’s album 12th of June, and more, in Dolby Atmos.